National Gallery

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John Singer Sargent, Miss Beatrice Townsend, 1882.— — — — — — — — — — — — — — — — —In response to th

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Joshua Johnson, The Westwood Children, c. 1807.— — — — — — — — — — — — — — — — — In response to the

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George Bellows, Forty-Two Kids, 1907.— — — — — — — — — — — — — — — — — In response to the closures o

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Peter Paul Rubens, Marchesa Brigida Spinola Doria, 1606.— — — — — — — — — — — — — — — — — In respons

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Pierre-Auguste Renoir, The Dancer, 1874.— — — — — — — — — — — — — — — — — In response to the closure

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Orazio Gentileschi, The Lute Player, c. 1612-20.— — — — — — — — — — — — — — — — — In response to the

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Paul Cézanne , Harlequin, 1888-90.                                                                  

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Fra Filippo Lippi, Madonna and Child, c. 1440.— — — — — — — — — — — — — — — — — In response to the c

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Arshile Gorky, Organization, 1933-6.— — — — — — — — — — — — — — — — — In response to the closures of

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Thomas Cole, The Return, 1837.— — — — — — — — — — — — — — — — — In response to the closures of both

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Jean François de Troy, The Abduction of Europa, 1716.— — — — — — — — — — — — — — — — — In response t

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John Constable, The White House, 1818-9.— — — — — — — — — — — — — — — — — — — — — — — — — — — —In re

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El Greco, Laocoön, c. 1610-4.  — — — — — — — — — — — — — — — — — — — — — — — — — — — —In response to

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Paul Cézanne, Boy in a Red Waistcoat, 1888-1890.  — — — — — — — — — — — — — — — — — — — — — — — — —

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Rogier van der Weyden, Portrait of a Lady, c. 1460.  ————————————————————————————In response to toda

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